Identity Duets
virtual concert
About This Project
The pandemic has meant that we have been unable to present our music in our usual fashion. Instead, we met with six composers all originally from Puerto Rico, but many now living in the continental USA, to craft a program that would lend itself to being presented online. Our composers met together in August to discuss with us what they most wanted to express in this moment of crisis, and it was perhaps no surprise that the theme of identity emerged as a fundamental preoccupation.
The following concert presents six new world premieres featuring the Victory Players, two at a time. Each piece allows us a new perspective, affords us a new connection, and perhaps renewed and increased understanding.
El Puerto Rico, the Rich Port, is inspired by the rich history and culture of the island of Puerto Rico. In the 15th century, it was a key part of New Spain, and following the Spanish-American war of 1898, a possession of the United States. Since the Jones Act of 1917, the island’s citizens have been US citizens and the island is a US territory. This unique past means that music from Puerto Rico has some of the longest, if not the longest continuous tradition in the United States. Along with distant roots of the indiginous Taíno, the Afro-Carribean inflected music continues to be an important voice in the musical fabric of the United States.
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COMPOSERS
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(The mourning is heard everywhere)
Performed by Giovanni Perez, flute & Robert Rocheteau, marimba
Quiñones composed "Se oyen los lamentos por doquier" in 1996.
This is the first time the Victory Players are performing the work. These performances represent the world premiere of this piece.
The composer scored the work for flute, marimba and electronics.
Quiñones’s "Se oyen los lamentos por doquier" runs approximately 7 minutes in performance.
Christian Quiñones
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(Cleanse)
Preformed by Nathan Ben-Yehuda, piano & Eric Schultz, clarinet
Rodriguez composed "Despojo" in 2020.
This is the first time the Victory Players are performing the work.
These performances represent the world premiere of this piece.
The composer scored the work for clarinet and piano.
Rodriguez’s "Despojo" runs approximately 6 minutes in performance.
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( Inert Transmutation)
Performed by Victory Players Ensemble
Rodriguez composed "Transmutación inerte" in 2019.
This is the first time the Victory Players are performing the work.
These performances represent the world premiere of this piece.
The composer scored the work for flute, clarinet, piano, percussion violin and cello.
Rodriguez’s "Transmutación inerte" runs approximately 10 minutes in performance.
Iván Enrique Rodríguez
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(Swaying)
Preformed by Giovanni Perez, flute & Elly Toyoda, violin
Navarro composed "Vaivén" in 2020.
This is the first time the Victory Players are performing the work.
These performances represent the world premiere of this piece.
The composer scored the work for flute, and violin.
Navarro’s "Vaivén" runs approximately 7 minutes in performance.
Johanny Navarro
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(Scenes)
Preformed by Clare Monfredo, cello & Eric Schultz, clarinet
Bouche composed "Escenas" in 2020.
This is the first time the Victory Players are performing the work.
These performances represent the world premiere of this piece.
The composer scored the work for clarinet and cello.
Bouche’s "Escenas" runs approximately 7 minutes in performance.
Gabriel Bouche Caro
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(To Observe the Heavens)
Performed by Elly Toyoda, violin & Nathan Ben-Yehuda, piano
Carrillo composed "Para observar los cielos" in 2020.
This is the first time the Victory Players are performing the work.
These performances represent the world premiere of this piece.
The composer scored the work for violin and piano.
Carrillo’s "Para observar los cielos" runs approximately 3 minutes in performance.
Carlos R. Carrillo
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(Amethyst)
Performed by Clare Monfredo, cello & Robert Rocheteau, marimba
Surillo composed "Amatista" in 2020.
This is the first time the Victory Players are performing the work
. These performances represent the world premiere of this piece.
The composer scored the work for cello and marimba.
Surillo’s "Amatista" runs approximately 7 minutes in performance.
Omar Surillo
MIFA Victory Players
Piano, Nathan Ben-Yehuda
Cello, Clare Monfredo
Flute, Giovanni A. Pérez
Percussion, Robert Rocheteau
Clarinet, Eric Schultz
Violin, Elly Toyoda
Music Director, Tianhui Ng
Artists
Ensemble Manager, Angela M. Santiago
Production
A Co-Production of
Composers
Christian Quiñones
Iván Enrique Rodríguez
Johanny Navarro
Gabriel Bouche
Carlos R. Carrillo
Omar Surillo
WGHB
Audio Engineer, Antonio Oliart Ros
New England Public Media (NEPM)
Video Editor, Iohann Rashi Vega
Information
Duration: Performance: 1hr 14min 40sec/ no intermissionPremiere January 24-24, 2021 ; New England Public Media, Virtual BroadcastMade Possible By
SPECIAL THANK YOU
UMass Amherst Department of Music
Holyoke Public Library
Nueva Esperanza
Holyoke Media